All but ignored when it debuted in 1970, and little more than a historical
footnote today, "Two by Two" deserves wider attention. The musical, one
of composer Richard Rodgers' last, is currently playing at Ottavio's
Banquet Facility in Camarillo. Directed to maximum effect by Rex
Waggoner, it's one of the best productions in the dinner theater's
history--maybe the best ever.
Based on a mid-'50s play by Clifford Odets, "Two by Two" recasts the
Biblical story of Noah and his family, before, during and directly following
the Flood. Noah and his wife, Esther, have three sons: Shem, Ham and
Japheth. Shem and Ham are married to the shrewish Leah and gentle
Rachel, respectively; Japheth is, to the dismay of his mother, single.
As the play opens, Noah--much to his surprise--is visited by God, who
orders him to build an ark and load it with his family and animals, "two by
two." Which puts Japheth at risk, unless he can find a wife, fast. The
show's witty book is by Peter Stone, who also wrote "1776." Lyrics are by
Martin Charnin, who would later supply the words for "Annie." Stone uses
the device of his hero chatting with God that had worked so well in 1964's
"Fiddler on the Roof."
Noah's family is amusingly dysfunctional ("a miser, a loafer and a
philosopher" as he characterizes his progeny). There's even an implicit
serious note, as Japheth (the philosopher) chides his father for trusting
God to pull him through, instead of using the tools that God had given him
and doing the work himself.
Word was that Danny Kaye, who created the role of Noah on Broadway,
compensated for a relatively weak property by ad-libbing lines and
generally taking over. This reportedly infuriated Rodgers (and probably
the rest of the cast), though the show ran for nearly a year on Broadway in
1970 and 1971.
Danny Kaye isn't starring in the Ottavio's production, and presumably Don
Pearlman sticks closer to Stone's original script. It's a lot of fun anyway,
with good gags and relationships that most should be able to identify with.
While Charnin's lyrics aren't terrific, they're serviceable, and Rodgers'
score is a nice surprise--more wide-ranging than most of his earlier shows,
and including gospel and operetta parodies. Eleanor Brand co-stars as
Esther with Jim Barker, Kevin P. Kern and Jim Harlow as Shem, Ham and
Japheth. Arlene Weisenberg and Susan Burns portray Leah and Rachel,
with Rebecca Hanes very funny as the coquettish courtesan Goldie, who
appears nude at the Temple of the Ram ("That's reform, Pop," one of the
kids explains). While some of the cast members are certainly better
singers than others, all are able to get the songs across. And at times, some
of the choral work is quite impressive. Credit musical director Kevin
Parcher, who accompanies the show on synthesizer, along with Larry
English's percussion.
footnote today, "Two by Two" deserves wider attention. The musical, one
of composer Richard Rodgers' last, is currently playing at Ottavio's
Banquet Facility in Camarillo. Directed to maximum effect by Rex
Waggoner, it's one of the best productions in the dinner theater's
history--maybe the best ever.
Based on a mid-'50s play by Clifford Odets, "Two by Two" recasts the
Biblical story of Noah and his family, before, during and directly following
the Flood. Noah and his wife, Esther, have three sons: Shem, Ham and
Japheth. Shem and Ham are married to the shrewish Leah and gentle
Rachel, respectively; Japheth is, to the dismay of his mother, single.
As the play opens, Noah--much to his surprise--is visited by God, who
orders him to build an ark and load it with his family and animals, "two by
two." Which puts Japheth at risk, unless he can find a wife, fast. The
show's witty book is by Peter Stone, who also wrote "1776." Lyrics are by
Martin Charnin, who would later supply the words for "Annie." Stone uses
the device of his hero chatting with God that had worked so well in 1964's
"Fiddler on the Roof."
Noah's family is amusingly dysfunctional ("a miser, a loafer and a
philosopher" as he characterizes his progeny). There's even an implicit
serious note, as Japheth (the philosopher) chides his father for trusting
God to pull him through, instead of using the tools that God had given him
and doing the work himself.
Word was that Danny Kaye, who created the role of Noah on Broadway,
compensated for a relatively weak property by ad-libbing lines and
generally taking over. This reportedly infuriated Rodgers (and probably
the rest of the cast), though the show ran for nearly a year on Broadway in
1970 and 1971.
Danny Kaye isn't starring in the Ottavio's production, and presumably Don
Pearlman sticks closer to Stone's original script. It's a lot of fun anyway,
with good gags and relationships that most should be able to identify with.
While Charnin's lyrics aren't terrific, they're serviceable, and Rodgers'
score is a nice surprise--more wide-ranging than most of his earlier shows,
and including gospel and operetta parodies. Eleanor Brand co-stars as
Esther with Jim Barker, Kevin P. Kern and Jim Harlow as Shem, Ham and
Japheth. Arlene Weisenberg and Susan Burns portray Leah and Rachel,
with Rebecca Hanes very funny as the coquettish courtesan Goldie, who
appears nude at the Temple of the Ram ("That's reform, Pop," one of the
kids explains). While some of the cast members are certainly better
singers than others, all are able to get the songs across. And at times, some
of the choral work is quite impressive. Credit musical director Kevin
Parcher, who accompanies the show on synthesizer, along with Larry
English's percussion.
Thursday, May 4, 1995
Ventura West Edition
Section: Ventura County Life
Page: J-25
THEATER REVIEW:
Rodgers' Musical 'Two by Two' One of Ottavio's Best Shows; Witty,
amusing story of Noah and his family may be the dinner theater's finest
moment.
Ventura West Edition
Section: Ventura County Life
Page: J-25
THEATER REVIEW:
Rodgers' Musical 'Two by Two' One of Ottavio's Best Shows; Witty,
amusing story of Noah and his family may be the dinner theater's finest
moment.
| By: TODD EVERETT SPECIAL TO THE TIMES |
